Charlotte Smith
Shades of Pale
November 23 – December 28, 2019
Charlotte Smith
Moon Tides, 2019
acrylic on canvas
30h x 30w in
CS148
Charlotte Smith
Water Scroll, 2019
acrylic on canvas
60h x 60w in
CS149
Charlotte Smith
Accumulations, 2019
acrylic on canvas
72h x 72w in
CS151
Charlotte Smith
Tidal Waves, 2019
acrylic on canvas
36h x 36w in
CS153
Charlotte Smith
Bountiful, 2018
acrylic on canvas
72h x 48w in
CS139
Charlotte Smith
Dreamscape II, 2017
acrylic on canvas
36h x 36w in
CS125
Charlotte Smith
Flying I, 2017
acryic on panel
32h x 32w in
CS141
Charlotte Smith
Flying II, 2017
acrylic on panel
32h x 32w in
CS142
Charlotte Smith
Floating I, 2017
acrylic on canvas
54h x 32w in
CS143
Charlotte Smith
Into The Night, 2015
acrylic on canvas
(48" x 72" each)
CS140
Charlotte Smith
Dreams of Spring, 2017
acrylic on canvas
36h x 36w in
CS135
Charlotte Smith
Winter's End, 2017
acrylic on canvas
36h x 36w in
CS134
Charlotte Smith
Off In Space, 2017
acrylic on canvas
60h x 36w in
CS130
Charlotte Smith
Blue Gently Falling, 2015
acrylic on canvas
24h x 24w in
CS131
Charlotte Smith
Simply Red, 2015
acrylic on canvas
24h x 36w in
CS075
Charlotte Smith: Dreamscape
October 14 – November 11, 2017
Charlotte Smith: Dreamscape
October 14 – November 11, 2017
Charlotte Smith has created an artistic practice that has culminated in 20 years of exploration into pure process-driven abstraction. Over the course of her career, Smith has constantly pushed the physical boundaries of painting, through the arduous building and layering of drips and drops. Smith has pushed her dots into amorphous shapes as layer upon layer builds and extends across the canvas’ terrain, creating a dynamic composition that engages the eye to move and explore. Loose ties to the macro and microenvironments of String Theory prevail in these lyrical cosmic/cellular/populated compositions.
Charlotte received her MFA from the University of North Texas. She has had thirty solo exhibitions and has been selected for more than twenty juried exhibitions, often receiving awards. Smith is firmly entrenched in Texas Art History – she was recently included in the following publications: Global Corporate Collections (2015), Texas Abstract (2014), The State of the Art: Contemporary Artists in Texas (2012), and Texas Artists Today (2010). Her work can be found in the collections of the University of Texas Southwestern Medical School, the Museum of Southeast Texas, the South Texas Institute for the Arts, and Neiman Marcus stores nationwide, as well as many additional significant collections, both private and corporate, throughout the country.
